2023
2023
Ray Chung is a performer, teacher, engineer, and artist who has a passion for dancing which he likes to share with other people. His main focus is improvisation and he has worked with Contact Improvisation since 1979 as part of improvisational performance practice and integrates other movement forms into his work, including martial arts, bodywork and Authentic Movement.
Ray has worked with the leading proponents of Contact Improvisation including Nancy Stark Smith, Steve Paxton, Nita Little, Lisa Nelson, Peter Bingham, Chris Aiken, Andrew Harwood, and regularly collaborates with dancers, musicians, and other artists. His work has been featured at numerous national and international festivals and venues, and has performed in works directed by Anna Halprin, Judith Kajiwara, and George Coates Performance Works. Currently based in San Francisco, Ray regularly teaches abroad.
Days 18th and 19th, February
Riding The Curves of Spacetime: Falling and Flying
In physics, gravity can be seen as the curvature of space around massive objects, such as the earth. We evoke the image of riding these curves as a way of moving in the field of gravity, and playing in this field as a way to develop proficiency with the skills and approaches necessary for leaving the ground, moving through the air, and landing safely, in the context of Contact Improvisation (CI).
Focusing on essentials of grounding, centering, intention, and moving support, we'll move onto weight modulation, creating levity, precision in locating centers, developing the optimum tonus and alignment for sudden weight shifts, and more. The emphasis will be on creating pathways and opportunities to move out of the floor and into the air, or onto your partner, instead of lifting and carrying. Catching and jumping as a way to initiate contact, and creating continuity through supporting the movement rather than the weight of one’s partner, will be one of the practices. Playing on the edge of what is possible for each participant, we will challenge one's self to really "go for it" in aerial movement and landing/catching strategies and techniques. How do I use someone’s weight and movement in a way that creates more choices for both of us? We’ll practice integrating our centers with another’s seamlessly as well as awkwardly. Crashing and bumping safely will also be part of the vocabulary we will develop. Integration of these practices into dancing will also be included. For all levels of experienced participants.
Coral Montejano Cantoral is a dancer and choreographer. Her investigation of movement and improvisation has always been combined with somatic practices (lemon technique, Feldenkrais, release, contact improvisation), where she has highlighted the learning process and experimentation. Coral attended different CI and movement workshops in Mexico, England, the United States, Germany and Cuba with teachers such as Emmanuel Grivet, Simonetta Alessandri, Rick Nodine, Seke Chimutengwende, Eckhard Muller, Paula Zacharias , Sofía Barriga, Vera Mantero, Ariadna Franco, Mariana de los Ríos, among others.
She recently begun Professional Training in the Feldenkrais Method. She has published texts, experimental essays, interviews, and reviews of dance works on platforms such as Nexos Cultura, 2(da) Cuadernos de Danza, The Wonderful World of Dance,, Danza UNAM, and Museo El Eco..
Day 16th, February
We will work from the body internal physical perception, exploring the different sensations that will emerge as the session progresses. This workshop is an invitation to inhabit the body with awareness, listening, creativity and joy; identifying our somatic habits to expand movement possibilities; clarifying our actions and gestures to enhance our dance.
We will emphasis on muscle efficiency, guiding us from our bone structure in order to be aware of the weight we give or receive. The search and the process will be the most important thing, but, above all: the enjoyment of dancing. Some trigger words: breathing, skeleton, fascia, space, relationship, weight, proprioception…
Soon…
Day 17th, February
Working with weight, force, energy distribution in the body, Benoît Lachambre addresses relational movement. In Contact Improvisation, he proposes an hyper-sensorial approach to CI where the movement of the fluids and energy distribution becomes a guide listening to the jumps of consciousness between feeling the skin and fascia communicative sensation from close and from various distances…
This way, practicing an instinctive and respectful approach to CI. Going outdoors where we can do the work while linking with the environment, trees, rock, ocean…
Marcus van Duren is a dancer and teaching artist based in the San Francisco Bay Area. Marcus has intensively studied movement and dance performance since his discovery of contact improvisation in 2012. He has had the pleasure of studying with Chris Aiken, Angie Hauser, Frey Faust, Kathleen Hermesdorf, Ray Chung, Martin Keogh, Nita Little, Sarah Shelton Mann and many others.
Marcus actively investigates new ways of moving and understanding movement as a member of the international Axis Syllabus community. In addition to appreciating dance as a performing art, Marcus sees dance, especially Contact Improvisation, as a life practice. He is endlessly curious about how dance can be used to access new states of being and uncover new ways of relating to self and other. Marcus holds a BA in Theater, Dance & Performance Studies.
Day 17th, February
Falling Towards Possibility
In this class, we will take a journey to discover what it means to truly dance with the unknown.
We will look at how little moments of “falling” are present everywhere when we dance contact, from floorwork to flying.
By transferring the potential energy of shared weight into dynamic movement, we will discover how level transitions in and out of the floor can be smooth, safe –and sudden!
We will redefine what it means to “lift” in contact improvisation and discover more physically safe pathways that ironically often feel more daring.
Some topics we may cover:
- leading with legs (& leaving the head behind)
- it’s not lifting, it’s supporting
- always ready to take my own weight
- moving feet, reaching arms
- spiraling in and out of contact
- orbiting a shared center
- 1% weight, %100 commitment to fall
- off balance, inviting the unknown
I live my adult life as a dance teacher for children, a dancer, an entrepreneur, and as a free student of various codes of movement. I am a Somatic Movement Educator at the School of Body Mind Movement. My training in classical and contemporary dance techniques, composition, somatic studies, contact improvisation and aikido has been mostly independent with various teachers, both in Mexico and abroad. Graduate of the Diploma for Support in the Teaching of Arts in Basic Education CENART (2017). Graduated from Communication from the Faculty of Higher Studies Acatlán (UNAM) with a specialty in Research and Teaching.
Since 2013 I co-organize and manage spaces for the practice, dissemination and research of Contact Improvisation with the collective EPIICO (CDMX). I am part of the organization of the annual Contact Improvisation Meeting in Mexico.
Day 18th, February
~~From the small dance to the wild dance ~~
contact jam session
It is a class/laboratory to study and explore weight, gravity, disorientation and contact, with oneself and in relation to other dance bodies.
In the subtle we are going to make space to feel, perceive and move; Specifically, we will try tools to surrender to the ground, to inhabit verticality and to escape from duos. I propose to develop an attentive, fun and dynamic dance.
He started with the practice of Contact Improvisation in 2006 in Buenos Aires. Since then she has been taking classes with local and international recognized teachers for years. She has never stopped attending jams and throughout all this time she has given classes for both children and adults in Argentina and abroad.
In parallel, she studied Sacro Cranial Biodynamic therapy, deepening in a specialized type of contact. He currently has a nomadic life that allows him to experience different spheres of dance. Organizer of Festín de Contact Improvisación in Argentina for 7 years and currently one of the organizers of San Pancho CI Fest in Mexico.
Días 16 y 19 de Febrero
Soon…